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Welcome to Art Angle, a podcast from Artnet News that explores the places where the world of art meets the real world, bringing the biggest stories to Earth each week. Join us each week for an in-depth look at the most important topics in museums, art markets and more, with input from our own writers and editors as well as artists, curators and other top experts in the field.
Few living artists have created a work of art as instantly recognizable as Shepherd Fairey hope poster, which became the stuff of legend as the face of Barack Obama’s 2008 presidential campaign. The film, which The New Yorker called “the most effective American political portrait since Uncle Sam wants you,” is embedded in the public consciousness even if you don’t know the street artist’s name.
But Fairey has been creating powerful visuals for more than 30 years, since 1989, when he While studying, he began pasting stickers of Andre the Giant’s face over the word “Loyalty” on the streets of Providence. Rhode Island School of Design. In the decade that followed, Fairey became equally at home in art museums as on the street, bridging the divide between the art world and the skateboarding/graffiti scene that reflected his commitment to activism—Obama posters, of note. , was a grassroots effort, not a propaganda commission.
Ahead of Fairey’s new solo show at Dallas Contemporary, Artnet News Senior Writer Sarah Cascone sat down with the artist to talk about his long career, from the DIY skate and punk scene to his acceptance into the art world.
“Shepard Fairey: Backward Forward” is on view at Dallas Contemporary, 161 Glass Street, Dallas, Texas, September 25, 2022-July 23, 2023.
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