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Walter Hill doesn’t get the cultural respect he deserves.
Directors like George Lucas, Francis Ford Coppola, Martin Scorsese and Steven Spielberg are household names and rightly so.
Hill’s Legacy doesn’t shine as brightly, but it comes close. Here is a partial list of projects he has written, directed or produced. Any Hollywood person would kill to have this resume:
- stranger
- the alien
- Warriors
- South Comfort
- Hard times
- road of fire
- Long Riders
- 48 hours
- Deadwood
Hill returns this month with “Dead for Dollars,” a gritty western starring Christoph Waltz, Rachel Brosnahan and Willem Dafoe. Waltz plays a bounty hunter torn between completing an assignment and realizing that his benefactor may be a very rotten soul.
The filmmaker has been making press rounds to support the film, an indie western that is facing tough headwinds at the box office. He opened up to Moviemaker magazine about the film, working with Dafoe again after all these years and, of course, his thoughts on the new Awakening environment.
Hill obviously had something to share about this.
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The filmmaker describes how he refused to make “dollars” in the conventional sense. The story in question involves a woman having an adulterous affair with a Black Army deserter. This is one of several subplots that could be “reimagined” for modern sensibilities.
“I thought I would anchor the issues of race and women’s rights in a man’s world during that time and not do the 2022 debate. I wanted an 1897 debate,” Hill said. “I think it’s only fair to the audience and the characters.”
Hill also weighed in on his last directorial effort, “The Assignment.”
The film followed a hit man who is transformed into a woman by a vengeful surgeon. Critics panned the film, suggesting that he mishandled the story’s trance themes.
What was unfortunate is that there is nothing in the movie that violates trance theory and it reinforces trance theory. In other words, you are what you are inside your head. But I didn’t quite realize that it was too early to tackle trans stories in a comic-book style film. We are still at the stage where it is felt that this must be considered holy ground. I miscalculated. The wake environment is still very broad.
The moviemaker wraps up the conversation, but Hill refuses to let it end without this chilling note of current cultural trends.
But look, you’re giving me an opportunity to say this: This woke environment, the politically correct environment, is a terrible thing. And it hurts. It is the death of art and the death of creativity. There is no question that there was injustice in the past. No one is arguing this point. But how you cure it is how you behave in the future.
Hill is part of Hollywood’s old guard. Others of his age, including John Cleese and Terry Gilliam, defied cultural trends in the arts.
Hollywood’s younger generation, even established movie stars, either ignore the issue or support the fledgling revolution.
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